The Maya (Ninth Edition)
By Michael D. Coe and Stephen Houston
Thames & Hudson, 2015
The Maya has long been established as the best, most readable introduction to the New World’s greatest ancient civilization. Coe and Houston update this classic by distilling the latest scholarship for the general reader and student.
This new edition incorporates the most recent archaeological and epigraphic research, which continues to proceed at a fast pace. Among the finest new discoveries are spectacular stucco sculptures at El Zotz and Holmul, which reveal surprising aspects of Maya royalty and the founding of dynasties. Dramatic refinements in our understanding of the pace of developments of the Maya civilization have led scholars to perceive a pattern of rapid bursts of building and political formation. Other finds include the discovery of the earliest known occupant of the region, the Hoyo Negro girl, recovered from an underwater cavern in the Yucatan peninsula, along with new evidence for the first architecture at Ceibal.
ABOUT THE CONTRIBUTORS
Michael D. Coe, Author
Michael D. Coe is Professor Emeritus of Anthropology at Yale University. His books include The Maya, Mexico, Breaking the Maya Code, Angkor and the Khmer Civilization, and Reading the Maya Glyphs. He lives in New Haven, Connecticut.
Stephen D. Houston, Author
Stephen D. Houston is Dupee Family Professor of Social Sciences at Brown University. His most recent book is The Life Within: Classic Maya and the Matter of Permanence.
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Maya Imagery, Architecture, and Activity: Space and Spatial Analysis in Art History
Edited by Maline D. Werness-Rude and Kaylee R. Spencer
University of New Mexico Press, 2015
Maya Imagery, Architecture, and Activity privileges art historical perspectives in addressing the ways the ancient Maya organized, manipulated, created, interacted with, and conceived of the world around them. The Maya provide a particularly strong example of the ways in which the built and imaged environment are intentionally oriented relative to political, religious, economic, and other spatial constructs.
In examining space, the contributors of this volume demonstrate the core interrelationships inherent in a wide variety of places and spaces, both concrete and abstract. They explore the links between spatial order and cosmic order and the possibility that such connections have sociopolitical consequences. This book will prove useful not just to Mayanists but to art historians in other fields and scholars from a variety of disciplines, including anthropology, archaeology, geography, and landscape architecture.
ABOUT THE CONTRIBUTORS
Maline D. Werness-Rude is an assistant professor of art history at Eastern Connecticut State University.
Kaylee R. Spencer is an associate professor of art history and the chair of the art department at the University of Wisconsin–River Falls.
6 x 9 in. 432 pages 50 halftones, 121 drawings
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Language Contact, Inherited Similarity and Social Difference: The Story of Linguistic Interaction in the Maya Lowlands, by Danny Law (Department of Linguistics, The University of Texas at Austin). Current Issues in Linguistic Theory, 328. John Benjamins Publishing Company, Amsterdam.
This book offers a study of long-term, intensive language contact between more than a dozen Mayan languages spoken in the lowlands of Guatemala, Southern Mexico and Belize. It details the massive restructuring of syntactic and semantic organization, the calquing of grammatical patterns, and the direct borrowing of inflectional morphology, including, in some of these languages, the direct borrowing of even entire morphological paradigms. The in-depth analysis of contact among the genetically related Lowland Mayan languages presented in this volume serves as a highly relevant case for theoretical, historical, contact, typological, socio- and anthropological linguistics. This linguistically complex situation involves serious engagement with issues of methods for distinguishing contact-induced similarity from inherited similarity, the role of social and ideological variables in conditioning the outcomes of language contact, cross-linguistic tendencies in language contact, as well as the effect that inherited similarity can have on the processes and outcomes of language contact.
Availiable from the John Benjamins Publishing Company
An Upcoming Publication from Yale University Press:
THE LIFE WITHIN: CLASSIC MAYA AND THE MATTER OF PERMANENCE
by Stephen Houston
Coming in March 2014
For the Classic Maya, who flourished in and around the Yucatan peninsula in the first millennium AD, artistic materials were endowed with an internal life. Far from being inert substances, jade, flint, obsidian, and wood held a vital essence, agency, and even personality. To work with these materials was to coax their life into full expression and to engage in witty play. Writing, too, could shift from hieroglyphic signs into vibrant glyphs that sprouted torsos, hands, and feet. Appearing to sing, grapple, and feed, they effectively blurred the distinction between text and image.
In this first full study of the nature of Maya materials and animism, renowned Mayanist scholar Stephen Houston provides startling insights into a Pre-Columbian worldview that dramatically contrasts with western perspectives. Illustrated with more than one hundred photographs, images, and drawings, this beautifully written book reveals the Maya quest for transcendence in the face of inevitable death and decay.
A New Publication from Dumbarton Oaks:
PLACE AND IDENTITY IN CLASSIC MAYA NARRATIVES
by Alexander Tokovinine
Dumbarton Oaks Pre-Columbian Art and Archaeology Series
Understanding the ways in which human communities define themselves in relation to landscapes has been one of the crucial research questions in anthropology. Place and Identity in Classic Maya Narratives addresses this question in the context of the Classic Maya culture that thrived in the lowlands of the Yucatan peninsula and adjacent parts of Guatemala, Belize, and Western Honduras from 350 to 900 CE. The Classic Maya world of numerous polities, each with its own kings and gods, left a rich artistic and written legacy permeated by shared aesthetics and meaning. Alexandre Tokovinine explores the striking juxtaposition of similar cultural values and distinct political identities by looking at how identities were formed and maintained in relation to place, thus uncovering what Classic Maya landscapes were like in the words of the people who created and experienced them. By subsequently examining the ways in which members of Classic Maya political communities placed themselves on these landscapes, Tokovinine attempts to discern Classic Maya notions of place and community as well as the relationship between place and identity.