An important new publication is out on the fabulous “Komkom Vase,” written by Christophe Helmke, Julie Hoggarth and Jaime Awe. Their excellent study provides a detailed epigraphic and historical look of this important Maya vase dating to the early ninth century. Beautifully published by Precolumbia Mesoweb Press.
Precolumbia Mesoweb Press presents A Reading of the Komkom Vase Discovered at Baking Pot, Belize, by Christophe Helmke, Julie A. Hoggarth, and Jaime J. Awe. Monograph 3. Precolumbia Mesoweb Press, San Francisco. Paperback, 144 pages, fully illustrated in color.
The Gifted Passage: Young Men in Classic Maya Art and Text
by Stephen Houston
Yale University Press, 2018
“Deep, smart, and thoughtful, this book should be read by every scholar of Mesoamerica.”—Mary Miller, Yale University
“Lucid and engaging, with a secure grasp of the wider anthropological issues at hand, this volume is without question a significant contribution to Maya studies.”—Simon Martin, University of Pennsylvania MuseumFrom Yale University Press:
In this thought-provoking book, preeminent scholar Stephen Houston turns his attention to the crucial role of young males in Classic Maya society, drawing on evidence from art, writing, and material culture. The Gifted Passage establishes that adolescent men in Maya art were the subjects and makers of hieroglyphics, painted ceramics, and murals, in works that helped to shape and reflect masculinity in Maya civilization. The political volatility of the Classic Maya period gave male adolescents valuable status as potential heirs, and many of the most precious surviving ceramics likely celebrated their coming-of-age rituals. The ardent hope was that youths would grow into effective kings and noblemen, capable of leadership in battle and service in royal courts. Aiming to shift mainstream conceptions of the Maya, Houston argues that adolescent men were not simply present in images and texts, but central to both.
Stephen Houston is Dupee Family Professor of Social Science and Professor of Anthropology at Brown University.
MESOAMERICAN PHILOSOPHIES: ANIMATE MATTER, METAPHYSICS, AND THE NATURAL ENVIRONMENT
January 9-13, 2018
The 2018 Mesoamerica Meetings are coming soon! Please join us in Austin next month for our stimulating series of workshops and our two-day symposium, focused on “Mesoamerican Philosophies.” Registration for the Meso Meetings is open to the public and all are welcome. Presenters include Chris Beekman, Linda Brown, David Carrasco, Michale Carrasco, Andrew Finegold, Patrick Hajovsky, Chrisptophe Helmke, Lucia Henderson, Julie Hogarth, Nick Hopkins, Zack Hruby, Danny Law, Elliot Lopez-Finn, Leonardo López Luján, James Maffie, Barbara Macleod, Alexus McLeod, Osiris Sinuhe Gonzalez Romero, David Stuart, Alex Tokovinine, Karl Taube, and Marc Zender.
Forty years ago, in 1978, UT Austin hosted the first Maya Hieroglyphic Workshop by Linda Schele, and an institution was born. Over the years the annual event grew as an open and vibrant gathering of scholars, students and others, sharing in the newest research in (mostly) Maya art, archaeology and related disciplines. 2018 brings exciting new changes, marking not only the beginning of our third k’atun, but also our new identity as the UT Mesoamerica Meetings, emphasizing the interconnectedness of all Mesoamerican cultures. To celebrate our anniversary and our new direction, we will devote our 2018 conference to a novel topic: Mesoamerican Philosophies: Animate Matter, Metaphysics, and the Natural Environment.
Ancient Mesoamerican religion and worldview hinges on a special understanding of “matter” and the metaphysical expression of the sacred. The world and what inhabited it – landscapes, buildings, objects, illnesses, even time itself — were considered animate and “living” in some sense, creating a dynamic system of interactions and relationships between people, gods, and things. These ideas found a constant expression, at different scales, in the region’s art, imagery, architecture, and ritual deposits, yet it is fair to say that these elemental notions have not been organized as a cohesive philosophy in any systematic way. At the 2018 Mesoamerica Meetings scholars and students will bring ancient Mesoamerican philosophy and religion into sharper focus, looking at how the ancient Maya, Aztecs, and other Mesoamerican cultures communicated these important ideas, and developed many notions of their own. In short, the conference will be looking at some of the most foundational but least articulated concepts of a cohesive ancient Mesoamerican worldview.
Among the questions we will be asking are: How do we refine our picture of Mesoamerican ideas as a cohesive system, a philosophy that might be placed alongside other ancient traditions worldwide? How did Mesoamerican peoples represent and interact with “living” things, spaces, materials and landscapes to express their understanding of human action in an animate world? Can we come up with a more accurate idea of “animism” in describing aspects of the Mesoamerican worldview? In what ways do such ideas have direct bearing on archaeological interpretation? These are large issues, and other related questions will no doubt arise during the conference. We see it as the beginning of a new and necessary foray into defining Mesoamerican thought as a set of philosophical traditions with key repercussions in scholarly research and cultural understanding.
Christophe Helmke and Jaime Awe’s presentation of an important inscription fragment discovered this year at Xunantunich, Belize, is now posted on Mesoweb. Panel 3 and and its companion Panel 4 (a separate presentation of which is underway) reveal some interesting details about Classic Maya history, and hold important implications for understanding the political maneuverings involving the Kanul dynasty in the early seventh century A.D.
Archaeologists seldom ever recover physical evidence of ancient Maya and Mesoamerican manuscripts. One notable exception was the discovery many decades ago of a badly fragmented codex in a tomb at Uaxactun, Guatemala, dating to the Early Classic period. Its remains were recently analyzed by Nicholas Carter and Jeffrey Dobereiner, who report their results in the latest issue of the journal Antiquity.
Antiquity, vol. 90, issue 351, pp. 711-725 (June 2016)
ABSTRACT: Multispectral visual analysis has revealed new information from scarce fragments of a pre- Columbian document excavated in 1932 from a burial at Uaxactun, in Guatemala. The plaster coating from decomposed bark- paper pages of an Early Classic (c. AD 400– 600) Maya codex bear figural painting and possibly writing. Direct investigation of these thin flakes of painted stucco identified two distinct layers of plaster painted with different designs, indicating that the pages had been resurfaced and repainted in antiquity. Such erasure and re-inscription has not previously been attested for early Maya manuscripts, and it sheds light on Early Classic Maya scribal practices.