by Stephen Houston
A few years ago I proposed that some of the most celebrated Maya vases were commissioned for young men in Classic society (Houston 2009: 166). My thoughts at the time: “pots with such labels could have been bestowed in the setting of age-grade rituals or promotions, a recognition of feasting and expensive drinks as markers of adult status, even trophies and material honours while in page service, ballplay or war.” The notion appealed to me on behalf of all those ungainly, ever-changing youth in past and present times—as a set, the boys and young men could be seen as an unexpected aesthetic locus, a target for what was arguably the summit of ceramic painting in the ancient New World. But this idea involved a second, very specific expectation. The painted vessels so-named and so-possessed would involve not only young men but youths at times of change, on transit through the rites of passage so familiar to comparative anthropology.
A fresh piece of evidence lends weight to this conjecture. An eroded and shattered cylindrical vessel in the Juan Antonio Valdés Museum in Uaxactun, Guatemala, contains the usual Primary Standard Sequence. The glyphs have a cadenced coloration of two red-painted glyphs followed by one left uncolored. This scheme recalls the Primary Standard Sequences on such luminous vessels as a bowl from the area of Tikal, now in the Museo Popol Vuh (Kerr #3395; the presence of Jasaw Chan K’awiil’s name on the bowl brackets it temporally to AD 682 ~ 734; see also K #595). The vessel in Uaxactun has the following sequence, somewhat occluded by the darkness of the photographs I have seen: ….u-tz’i ba-IL yu-k’i-bi ti-YAX-CH’AHB ch’o-ko AJ-?BAHLAM che-he-na SAK-MO’-‘o ?-?…., the final glyphs surely the name of the painter. Figure 1 reproduces a key passage, the name of the drinking vessel (yuk’ib), just before an expression ti yax ch’ahb, “for the first fast/penance(?).” Then, crucially, the name of the owner, a ch’ok or “youth.”
As Stuart and others have noted, the yax ch’ahb refers to a rite of passage for young males, perhaps most eloquently in a text from Caracol Stela 3 (Stuart 2008; also Houston et al. 2006: 131-132, fig. 3.30). There, a young prince, only a few months beyond 5 years of age, underwent this arduous rite. It formed part of his first bloodletting but probably involved much other pain besides, including the denial of food. The import is clear: the vessel at Uaxactun was intended specifically for an age-grade ritual, the first (presumably) of many sacrificial offerings from a noble youth. Did it offer a filling and restorative draft of liquid after penance? Was it a gift to others who might witness his ascent to adult duty? Of these matters we cannot be certain. But the likelihood is now stronger that most such vessels marked and materialized shifts of status: a liquid passage from boyhood to the obligations of elite men.
Houston, Stephen. 2009. A Splendid Predicament: Young Men in Classic Maya Society. Cambridge Archaeological Journal 19 (2): 149-178.
Houston, Stephen, David Stuart, and Karl Taube. 2006. The Memory of Bones: Body, Being, and Experience among the Classic Maya. Austin: University of Texas Press.
Stuart, David. 2008. A Childhood Ritual on The Hauberg Stela. Maya Decipherment weblog. http://mayadecipherment.com/2008/03/27/a-childhood-ritual-on-the-hauberg-stela/
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